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Understanding Popular Music Culture By Roy Shuker

Download Ebook Understanding Popular Music Culture By Roy Shuker

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Sales Rank: #10492286 in Books
Brand: Brand: Routledge
Published on: 2007-12-11
Original language: English
Number of items: 1
Dimensions: .97" h x 6.49" w x 9.14" l, 1.38 pounds
Binding: Hardcover
328 pages

Features

Used Book in Good Condition

From Library Journal
Presented in the larger context of cultural studies, Understanding Popular Music is a commendably comprehensive analysis not only of 20th-century popular music itself but also of its major cultural theorists. Shuker (media studies, Massey Univ., New Zealand) knowledgeably traces and treats almost every aspect of popular music, among them performance and recording technologies, the music industry, the music press, gender implications, political implications; and visual representations, both pre- and post-MTV. This substantially revamped work, first published in 1994, addresses newer artists, genres, and technologies and also reconsiders initial evaluations of many theories and theorists. As with most studies to date in this area, Shuker's is rigidly and regrettably confined to Anglo-American popular music; collections seeking an appropriate balance should consider World Music: The Rough Guide (LJ 12/89). Nevertheless, this book's sophistication and theoretical bent make it a superb choice for academic libraries. Public libraries should consider more accessible works like Nick Johnstone's Melody Maker History of 20th-Century Popular Music (LJ 3/15/00). Bill Piekarski, Lackawanna, NY
Copyright 2001 Reed Business Information, Inc.

Review
Shuker's book is an important contribution to popular music studies, and a useful summary of the main arguments about its production, reception and interpretation... It is one of the few recent books on the subject that can be recommended without qualification.
praise for the first edition)
–Popular Music and Society

About the Author

Roy Shuker is Associate Professor in Media Studies at Victoria University of Wellington, New Zealand. His previous publications include Understanding Popular Music (2nd Edition, 2001) and Popular Music: The Key Concepts (2nd Edition, 2005).

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